The Kafka Convention

By: Kurt Luchs

“What do you mean you can’t find my briefcase?” K.’s voice rose harshly above the general clatter and muttering at the airport’s baggage claim area. It was not the first time he had asked that question that morning. Once more, with diminishing patience, the official-looking young clerk gave his explanation.

“Sir, I’ve told you all I know. We have no record of your briefcase ever being on board this or any other flight. We show no luggage for you at all. In fact, to be perfectly honest, I don’t even find you on the seating chart. Unless you can produce a ticket stub of some kind…” He let the sentence dangle in the air, as if to underscore the nebulous nature of K.’s claim. His bright blue uniform gave him the appearance of a policeman, and for some reason the sight of his shiny but useless epaulets filled K. with a vague apprehension. Nonetheless, K. was shouting and gesticulating wildly. People nearby looked up in curiosity.

“I’m telling you for the last time. My ticket stub is gone, vanished — poof! You understand? Somehow my overcoat became confused with that of another passenger, and I now wear the garment of a Doctor Thomas Mann. See? Here’s his ticket stub!” K. waved a ragged scrap of pasteboard in the clerk’s immobile face.

“If you’re suggesting I give you Doctor Mann’s baggage, I’m afraid I can’t do that either,” said the young man, who had already begun to process the papers of the customer just behind K.

“I don’t want Doctor Mann’s baggage, you imbecile!” Without thinking, he had grabbed the clerk by the lapels and lifted him clear off his toes. When he heard another clerk mention calling security, K. suddenly became quiet, almost apologetic. He let go of the clerk’s collar and even brushed a June bug off one of his epaulets. “I only want what’s coming to me. My briefcase, you understand, no other’s. I’m not looking for any favors, but my briefcase happens to contain the only existing copy of my thesis, which I am to deliver later today at the convention.”

“Oh? And what convention might that be?” the clerk said with a sneer that made the other customers titter.

“The K-kafka C-convention,” K. stuttered. But for a nearly imperceptible look of horror, the clerk’s face remained blank. K. continued with feverish enthusiasm. “Franz K-kafka, the writer. In my thesis I compare him to a variety of intestinal worm, you see, a species whose appetite and capacity for guilt are equally immense. Such parasites usually starve themselves to d-d-death, in a sense.”

“To b-b-be sure,” mocked the clerk, “but if you’ll excuse me…” Everyone laughed but K., who turned red and started to back away.

“Of course, of course,” he said. “Never mind me.” He stumbled into an obese, unkempt woman who was openly nursing the largest infant K. had ever seen. Despite the sickening bluish tint of the child’s skull, K. felt obliged to pat it and say something, however banal: “Nice baby.” At that moment the head came up to bite his hand, and K. found to his amazement and repulsion that it belonged not to a child but to a wizened old man with smacking gums. The octogenarian giggled inanely and snatched K.’s alpine hat from his head.

“My hat! Mine!” screeched the old man with delight. The woman removed a large sausage from her handbag and began to methodically beat K. with it.

“Filth!” she yelled.

“Of course,” said K. He had backed all the way to the edge of the up escalator, and now tumbled backwards down the sharp metal stairs. He could hear more laughter and what sounded like applause coming from above as he lay crumpled at the foot of the escalator. His face protruded over the moving stairs, and as each new step emerged his chin bounced on it painfully.

“Perhaps if I remain here suffering quietly,” K. thought, “the Superintendent of this facility will notice that I — an honored foreigner having received official invitation, no less — am being treated in this scandalous fashion, and will take pity on me. If he is worthy of his office he will be outraged, and with a snap of his fingers he will order that my briefcase be restored to me. Who knows? He may even award me certain damages.”

K.’s meditations were interrupted by a piercing pain in his backside. He turned to discover a lean Hispanic janitor trying to impale him on a pointed spike and lift him into a refuse bag. “Stop that nonsense at once, or I’ll report you to the Authorities! Do you hear?” K. did his best to sound threatening, but his voice had suddenly acquired an odd, squeaking quality. He quickly learned that he had also lost control of his body.

The janitor paused and looked at him oddly. “Hey, Tony, come over here!” he called to another man further down the hall. “You gotta see this! This June bug is at least four inches long, and its mouth is moving almost like it’s trying to say something!” K. sputtered and tried to deny the ridiculous charge that he had become an insect, but upon examination he saw that such was indeed the case. He had been flipped upon his back and could only wave his six pitifully thin legs in the air and make a nervous sort of buzz. His speech was no longer comprehensible.

“Pleazzze, help meezzzz! I muzzzt get to zzzee convenzzzion!” The janitors both laughed heartily at these pathetic sounds.

“Man, that’s spooky! I don’t know what it is, but I think we better kill it quick,” said the one who had first noticed K. “Livin’ la vida loca, and now your back is broke-a,” the one called Tony said as his partner flipped K. over and tried once more to run him through. K. found the peculiar singsong strangely comforting, and did not resist as the man put the sharp spike through the space between his folded wings, lifted him roughly, and stuffed him into the dark plastic bag.

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Meet The Poet

By: David Jaggard

…our appreciation for such a stirring reading, and for taking time from his busy schedule to meet with our creative writing students today. We have a few minutes left — does anyone have a question for our illustrious guest? Yes, there in the front row…

I wonder if you could tell us about the genesis of one of your earliest successes, “Woodchuck”?

Certainly — I had been reading Kerelman’s “Mammals of North America” and trying my hand at copying some of the engravings in watercolor, and there was this one plate that caught my eye of a woodchuck perched on a fallen log. There was something about the pose, the colors, the almost…world-weary look in the gentle creature’s eye. Then the ideas started coming…The “wood”-“would” ambiguity, the nouns turning into verbs and back again…And the paradox of this tiny mammal that spends its entire life surrounded by the very substance for which it is called but that cannot ever fulfill the promise of its own name. The woodchuck’s hypothetical exertions symbolize the inescapable, unrelenting labors of mankind — just how far can they go? I don’t think any other poet has ever addressed that theme head on.

Does anyone have another question about “Woodchuck”? In the back there, on the right…

So…How much?! (laughter)

Ha-ha! I get asked that all the time! Of course, there is a specific answer, but I prefer to leave it up to my readers to discover for themselves.

Next question…

I wonder if you could explain the humanist symbolism of “Ice Cream”?

That one was written during the Cuban missile crisis of 1962. I was aghast at the desperate situation in the world and I started thinking: there’s so much distrust and misunderstanding among peoples, but what is it that unites us? What one thing does everyone want? You, me, everyone all around the world…What do we want so badly that we would abandon all decorum in a bid to get it? I wanted an image that would appeal to all ages and all cultures. From there, of course, a lot of research had to be done. I hesitated to use a milk derivative because most Asian cultures didn’t have them at the time, but I decided to take a chance and indeed since then yogurts and frozen dairy desserts have even been introduced in Myanmar, so it turns out my esthetic instincts were right.

Could you give us a demonstration?

Oh, all right…(murmurs of anticipation)

(Ahem!) AAAARRRRRRGGGGGGHHHH!!!!!! (thunderous applause)

Thank you! (applause) Thank you!! Another question?

You mention the research you do for your poems — for “Rejection” did you research the flavors of the different kinds of worms? (sporadic laughter, groans)

In that case I didn’t have to. I knew how the worms taste. You know how the worms taste. Everyone does — I was just trying to reveal a universal constant about the human condition. Let me explain it this way: the evocation of the inedible being consumed takes the poem farther away from reality in order to get closer to the truth — like the “blue violets” from my Surrealist period. (Scattered applause.) Thank you. Yes, you over there…

Why did you fracture the rhyme scheme in “Thunderstorm”?

Good question. The answer is really quite simple: I just thought that after “pouring” and “snoring” it would be too…”boring” (laughter) to stick strictly to the predicated rhyme scheme. In fact, the last line in my first draft was “And he woke up lying flat on the flooring.” You see? It loses something that way. I’ll tell you another story about that poem: The “old man” was modeled on Carl Sandburg, one of my biggest early influences. I had the pleasure of meeting him at Yaddo in 1963. He had just flown in from Chicago and was assigned the cabin next to mine. I showed him a few of my poems, including “Woodchuck”. He got really excited about it and read it over and over. He thought I should change the title and make it a groundhog, or maybe a guinea pig, and then he got the idea that the animal should be “slaughtered”, possibly by a hunter or trapper. He also suggested that I tone down the imagery in “Thunderstorm” and make the weather just sort of misty or hazy. I was about to explain that I had already explored that nuance of the theme in “Rain, Rain”, but just then the cook’s pet kitten came sauntering through the open door of my cabin. As soon as Sandburg saw it he got this thoughtful, distracted look on his face, jumped up and ran out yelling, “On second thought, forget everything I just told you!” So I guess you could say the influence was “somewhat mutual”…(laughter, applause) There’s time for just one more question. Yes, you in the pink sweater…

What can you tell us about your lawsuit against the Sandburg estate over “Star Light”?

Oh gosh, my lawyer told me not to talk about that too much. Also, my doctor told me not to even think about it because it makes my blood pressure rise. (laughter) Let me just say that I showed Carl Sandburg my early sketches of “Star Light” at Yaddo in ’63 and he liked the poem so much he made his own copy of the working draft. Then when he died in 1967, one of his nephews happened to find it among his papers. Of course he recognized it right away, and figured he could palm it off as an undiscovered Sandburg by accusing me of copying it from him. But Carl’s copy was incomplete and the nephew made the mistake of tacking on that ridiculous “satellite” ending, which anyone would recognize as bogus. But he wouldn’t back down, so I had to file suit. It goes to court next month. Wish me luck! (scattered applause)

I’m sorry, but it’s time to go. It’s been a pleasure to be here today! (applause) It’s always nice to see young people who are interested in…poetry, of all things! (applause, cheering) My new “slim volume” will be available in November — I’ll send a free copy to anyone who can “spell that without any V’s!” (uproarious laughter, whistling, stomping, rhythmic applause)

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Time Travel For Fun And Profit

By: Benjamin C. Thornton

Is a trip back in time in your future? Here are some helpful tips for today’s savvy inter-temporal travellers:

* Dress appropriately. Layered clothing can help keep you comfortable through sudden changes in weather, like ice ages. Also, if you’re going way back, bring some decent sunglasses for The Big Bang.

* Watch out for a caveman named Zog. His father discovered the magic of fire. Zog discovered the magic of gouging people’s eyes out with a sharp rock.

* Bring local currency. Confederate money, bison pelts, wampum, Spanish pieces-of-eight, or POGs can usually be obtained at your local antique store.

* Buy stock in IBM, Berkshire Hathaway, and maybe Ford. Don’t buy stock in AOL, New Coke, or Glass Tiger merchandise manufacturers.

* Invent the internal-combustion engine, the Post-It note, or the Internet. Or, if not so technically inclined, the ruler.

* If you happen to be in Pompeii in the summer of 79 A.D., get the hell out. And don’t go to Herculaneum, either, unless you want to end up as that fossilized corpse inexplicably wearing a Timex Ironman.

* An ancient-Latin phrase book can be very helpful for asking questions like, “When is the next boat out of Pompeii?”

* Study astronomical tables so that if captured by vicious natives in a distant land you might be able to predict an eclipse, thereby convincing them that you have extinguished the Sun and the gods would be very angry if you were killed. (Note: only works if captured on day of eclipse.)

* The Powerball numbers for June 2, 1993 were 5-16-21-24-29-36-42. Keep that under your hat.

* Be sure to check out the natural beauty of North America back before the arrival of the white man: virgin forests, unpolluted lakes and rivers, and, echoing across the plains, the thunder of stampeding unicorns.

* If you see Jesus hanging from a cross, leave him there. He needs to die to save humanity from its sins. If you see Jesus walking around, tackle him and strangle him with your bare hands.

* Many a friendly wager can be won by predicting the end of Twilight Zone episodes, like the one where the girl is recovering from plastic surgery and when they remove the bandages she’s beautiful, but all the doctors and nurses think she’s ugly because they have pig snouts. Beauty is in the eye of the beholder, see.

* If you happen to find yourself in the Shangri-la Buffet in Las Vegas on the night of May 15, 1987, DO NOT try the clams. Instead, just hang around outside and hail a cab. Ask some showgirls “When is the next boat out of Pompeii?” while you’re waiting, just for laughs.

* Visit Washington, D.C., on April 14, 1865, to catch a performance of Tom Taylor’s Our American Cousin, featuring the delightfully foppish Lord Dundreary. Also, you can witness the assassination of Abraham Lincoln — but don’t interfere! Otherwise, Andrew Johnson would never have been president. Think of the alternate-reality nightmare that would have been.

* IMPORTANT! Don’t kill your grandparents.

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How Am I Driving?

By: Kurt Luchs

Thank you for calling the Chrome Donkey Truck Co. driver hotline! We really want to know how our drivers are doing, so please share your experience with us by following these directions and answering a few simple questions.

To report a good experience with a Chrome Donkey Truck Co. driver, press 1.

To report a bad experience with a Chrome Donkey Truck Co. driver, press 2.

If your bad experience involved only a verbal altercation or misunderstanding, however disturbing, press 1.

If there was a physical accident of some kind, press 2.

Was it a minor accident? If so, press 1.

If it was a major accident, press 2.

If the accident was so major that you are now in a full body cast and unable to move your hand, ask the attending physician or nurse to press 3 for you.

If the accident was way beyond major and caused third-degree burns over most of your body and face, making speech impossible, try to establish a “one blink for yes, two blinks for no” communication code with your caregivers, and then convey that they should press 4 for you.

If your eyelids are fused together or no longer there, see if you can wiggle your ears (of course we’re using “see” in the figurative sense here). If so, try to establish a “one wiggle for yes, two wiggles for no” communication code with your caregivers. Once they have stopped chuckling, convey that they should press 5 for you, and have them do all the button pressing from here on out.

Which of the following came flying through your windshield during the accident? Press the pound key for each item that applies.

* Hubcap.

* Tire iron.

* Tire (fully inflated).

* Tire (exploded).

* Chrome Donkey Truck Co. driver (fully clothed).

* Chrome Donkey Truck Co. driver (partially clothed, partially on fire).

* Chrome Donkey Truck Co. driver (naked and charred).

* Cow (mad).

* Cow (not mad, exactly, but feelings very hurt).

* Other livestock in varying states of emotional distress.

* Barrel of oil.

* Barrel of industrial cyanide (top intact).

* Barrel of industrial cyanide (top breached).

* Crate of dynamite (no blasting caps).

* Crate of dynamite (with blasting caps).

* Large chunks of weapons-grade plutonium.

* Sidewinder missile.

Now press 1 if the driver apologized.

Press 2 if the driver did not apologize, but had a look on his face as if he might be about to.

Press 3 if you can’t be sure whether the driver apologized because, as far as you remember, there was no driver.

Press 4 if you can’t be sure whether the driver apologized because, as far as you remember, the driver was a wide-eyed orangutan wearing pilot’s goggles.

Press 5 if you are a member of the Orangutan Workers Union and are calling to demand safer working conditions for orangutans in general.

Press 6 if you are Chuckles The Orange and are looking for your “one banana, two banana” severance package from this morning’s horrific 12-vehicle collision.

If you feel the accident was your fault, press 7.

Just kidding! If a Chrome Donkey Truck Co. driver was to blame, press 8.

Next, do you want to take your case to court? If so, press 1.

If you’re willing to settle out of court, press 2.

Now press the number with which your desired settlement amount begins.

Finally, press 0 for every decimal place in your desired settlement amount, or until you see a smile on your attorney’s face.

And thank you again for calling the driver hotline at the Chrome Donkey Truck Co., where — when we’re not driving over you in a jackknifed, out-of-control 18-wheeler — we’re proud to be driving you nuts.

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Sylvia Plath’s Gangsta Rap Legacy

By: Jeremy Richards

Mack Daddy.

Mack Daddy you do not do.

Hootie hoo.

Every woman adores a playa’.

The crow casts his judgmental shadow

over my bootielisciousness

but you confess no less than this,

ghastly ghetto goo goo God.

I shall hit them with the hee,

by which I mean the inevitable decline

over time of my reflection in your chrome low rider,

hitting the cider like a rotting oak,

but not enough to cloak your disdain for me,

Mack Daddy,

Ach. Ach. Du.

Du hast mich.

In this picture I have of you,

the gold chains weigh you down

more than your confessions of contempt.

Come, tempt me with your fistfuls of dolla bills;

I have already swallowed the pills of your neglect,

and they taste like forty ounces of freedom

in the well of regret.

Dying is an art,

like everything else,

I do it, yeah do it,

do it until you can’t take it no more.

Sometimes I like to shake my moneymaker,

sometimes I don’t.

Sometimes I prefer to be all up in your stuff,

sometimes I don’t.

Sometimes I like to cradle a razor blade like a

forgotten daughter,

sometimes I’d rather not.

I’m off the hook

because I’ve hung myself with the distance

between our voices.

Ash, ash…you talkin’ trash?

Don’t make me represent

what a vengeful God has sent

to accuse me of existence.

My penance is your weak-ass game.

You shall never tame me, Mack Daddy;

the calligraphy of scars across my heart

is fashioned from the grooves

I spin on the ones and the twos.

The pain in my soul, I bought it.

The burden in my womb, I bought it.

So throw your hands up at me,

and I will trace the lineage of your sins

spread across your palms like new veins,

diggity dig my grave with your breakfast spoon.

You know why I am Supa dupa fly, too,

but Mack Daddy you will not do, you will not

ever come close to gettin all my lovin’,

Mack Daddy, if you can’t stand the heat …

then get yo’ head out of the oven.

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Horatio Alger Redux

By: David Martin

I came from humble beginnings — a hardscrabble, small town in Midwestern America. We called it home. Others called it Humble Beginnings, Colorado. Whatever the name, I knew one thing: the place was hardscrabble, that much was true. It was a hard town to work your way up and out of, one of those places where generations seem to always work for the family business. It was a great town. But I wanted out.

At age 16, I quit high school. A voice inside my head told me to go to work at the local 7-11. I did. The voice inside my head also told me that I was thirsty, and that I should look around my home for beverages which I could drink. I did that, too. And five years and many Gatorades later, I was still manning the graveyard shift sipping a Grape Fierce with $35 in the bank. A success by most standards. But I knew there was more in life for me.

One late winter night in 1977, I punched in my customer’s order — two Slim Jims, a pack of Marlboros, and two tallboys of Bud. The cash register read $7.77. I took that as a sign and the next day I quit the 7-11. I emptied my bank account, bought a bus ticket, and headed for Chicago. Something told me my fortune was waiting for me on the shores of Lake Michigan. I rode that lonely bus all night, preaching to the night riders beside me about proper electrolyte replacement.

Chicago presented a wealth of opportunities. It was just a question of choosing the right one. Would it be the eager software company, the faceless pharmaceutical giant, or the lamp repair store?

The choice was obvious. I went to work for the retail store. Something told me that lamp repair was going to be big and I wanted to ride along the crazy wave. Well, three years later, I was working the day shift and had $100 in the bank. I was clearly on my way.

Then, suddenly, a light bulb shattered somewhere and it was 1980 with the recession looming. I lost my lamp repair job, as penny pinchers switched back to track lighting with dimmer switches. For some, that would have been a disaster. For me, it spelled opportunity.

I picked three letters at random from my Scrabble game and came up with N, Y and C. Another sign! It couldn’t have been clearer: My destiny awaited me at Yazoo, North Carolina.

Clearing my bank account of its $250, I took a Greyhound to Raleigh and then hitchhiked to Yazoo. When I waved the aging trucker with the now Berry-Blue tongue goodbye, I saw the rusting sign calling out “Welcome to Yazoo”. I had arrived.

As luck would have it, the local gas station needed a reliable, non-dehydrated pump jockey. I applied and was immediately accepted. My past life experience had paid off. Unfortunately, Yazoo was a competitive town and the gas station was the toughest of the tough. But I persevered and ten years later I was head night shift attendant with $500 in the bank.

I was happy in Yazoo. Life was good. I had a dim room above the garage and gold-plated job security. I was living an American’s dream. But it felt too easy. Surely there was more. So when the customer with the out-of-state plates asked me to “Fill ‘er up, and go heavy on the lead” and the total came to $11.11, I knew it was time to move on and grab that brass ring.

I pulled my three lucky Scrabble letters from my plaid pocket and tossed them on the snack counter. Up came C, N, and Y. I was either an S short of a Woodstock reunion or I was headed to Canton, New York.

I took my savings, purchased a second hand Ford Pinto and started driving north. Three days, two accidents, and one ruptured gas tank later, I arrived in Canton.

With a population of only 5,000, it was clear that there were enormous opportunities in Canton. I couldn’t wait to ride this nascent engine of growth all the way to the top.

The sign in the Dew Drop Inn window said “Clerk Needed, Is it You?” C, N and Y. It was literally and metaphorically a sign. I pulled it from the window and marched confidently to the front desk. And that’s how I became the night clerk at the Dew Drop Inn.

The years flew by and I found myself as nighttime manager of the inn. Plus I had the undreamed of amount of $2,000 in the bank.

I should have been content. But I wasn’t. I knew there had to be more. So when a lit cigarette fell from my mouth onto some bed sheets and the Dew Drop Inn went up in flames and I was fired and threatened with a lawsuit, I took that as a sign to move on.

I tossed the Scrabble letters once more and up came N, Y and C. Maybe it was time to try the Big Apple, the home of America’s dreams: North York, Connecticut.

So I cashed in my chips, bought a ten-year old Yugo and headed southeast. Go southeast, middle-aged man. Follow that dream.

And ten miles outside of Schenectady, I ran headlong into my dream — a 1999 Mercedes driven by a successful upstate neurosurgeon on the wrong side of the road. My car was totaled, I was hospitalized for ten months and it was unclear if I’d ever sip another Fruit Punch Gatorade again. But I felt like I had made it.

And I had. Even with the contingency fee arrangement, the final settlement netted me $7 million. Just enough to buy a mansion in North York, a new Beemer, and a swimming pool full of Cherry Ice.

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The Archery Contest

By: Patrick M. Thornton

It was the morning of the big archery contest. Today was the day that the lovely Princess Anastasia was to pick a husband. Was it to be the handsome and noble Sir Eric, or the not so handsome or noble Sir Gaylord? Sir Eric was just as curious as everyone else to know the answer. He took court with the young princess to inquire.

SIR ERIC: Princess Anastasia, do you find me attractive?

PRINCESS ANASTASIA: Yes.

SIR ERIC: Do you find me to be kind, generous and an all-around caring soul?

PRINCESS ANASTASIA: Yes. I’d agree with that.

SIR ERIC: Do I have enough power and prestige for you?

PRINCESS ANASTASIA: Yes.

SIR ERIC: Do you think that I own enough land?

PRINCESS ANASTASIA: Oh, you certainly own enough land.

SIR ERIC: So would you say that I was the ideal candidate to be your husband?

PRINCESS ANASTASIA: Well, we’ll find that out this afternoon, won’t we?

SIR ERIC: You mean the archery contest?

PRINCESS ANASTASIA: Yes, of course I mean the archery contest.

SIR ERIC: I was meaning to talk to you about that. Do you really think that an archery contest is the best way to pick a husband?

PRINCESS ANASTASIA: Of course it is. The ladies in my family have been selecting husbands like this for many generations. And I think they know what they’re doing. If you really want to be my husband, all you have to do is beat Sir Gaylord at the contest this afternoon.

SIR ERIC: You see, that might be a problem.

PRINCESS ANASTASIA: If your love is true, your arrows will fly straight.

SIR ERIC: That’s a pretty thing to say, but the truth is I’m a terrible archer. I’m the best suitor in every other category and if I could convince you to give me your hand in marriage and make me the luckiest nobleman to ever walk this fine green earth, I assure you that I have many many men under me that are more than competent with a bow and arrow. But if you make me go up against Sir Gaylord, I will surely lose.

PRINCESS ANASTASIA: For amusement’s sake, let’s say I called off the archery contest. How would you propose I pick a suitor? Have you joust? Have you walk over hot coals? This is the Middle Ages; we’re a little more civilized than that nowadays.

SIR ERIC: You want to know how you should pick a husband? Love. That’s how. Why don’t you let your heart decide?

PRINCESS ANASTASIA: Do you know how ridiculous you sound?

SIR ERIC: Your Highness, please…

PRINCESS ANASTASIA: If you want me, don’t you think you should be practicing archery instead of babbling on insanely about love? If you ever want to beat Sir Gaylord…

SIR ERIC: You know he’s not really a knight, don’t you? You know that Sir is just his first name. You know that he’s just a petty thief who’s completely out of shape and lives in a grass hut with his pig. Don’t you?

PRINCESS ANASTASIA: I’m aware of all of these things. But if his love is true and his arrows shoot straight, then who am I to argue with the universe?

SIR ERIC: What if his arrows shoot straight only because he’s an accomplished archer and not necessarily in love with you?

PRINCESS ANASTASIA: I trust the arrows.

SIR ERIC: I don’t want to be slanderous, Your Highness, but I hear that he’s gay.

PRINCESS ANASTASIA: Sir Eric, this is the Middle Ages. Gay just means happy.

Enter Sir Gaylord. A robust man in pink tights that are entirely too pink and too tight.

SIR GAYLORD: Hi, Your Highness. What’s your stable boy’s name? ‘Cause I just want to call him Sir Hot-Buns.

PRINCESS ANASTASIA: His name’s Bernard.

SIR GAYLORD: I figure with all his experience with horses, he must really know how to ride. Anywho, Your Highness, about the archery contest this afternoon, I sort of have this parade I want to swing by…

Sir Eric is shooing off a very large bee.

SIR ERIC: These damn bees!

SIR GAYLORD: Oh I’ll get that.

Sir Gaylord pulls an arrow from his quiver and drops his bow off his shoulder and in one fluid motion shoots the bee in midair. The bee falls dead. Princess Anastasia’s eyes light up.

PRINCESS ANASTASIA: I think I know a Gaylord who’s going to win an archery contest.

SIR GAYLORD: I hope you have a brother.

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In The Clouds

By: Kurt Luchs

“I wandered lonely as a cloud,” wrote Wordsworth, but as usual he was probably just reaching for the nearest rhyme. There is small reason to suspect that clouds get lonely, for they are hardly ever alone. If anything the average cloud is, like most of us, hurting for a little privacy — a quiet space where he can concentrate on personal growth, perfect his racquetball serve, learn to stop saying “yes” when he means “go to hell,” and work on that hard-hitting novel about the nasty but wacky inner world of advertising.

“Where do all these clouds come from?” you ask (not out loud, I hope, or people will shy away from you and you’ll be lonelier than any cloud ever was). A scientist will tell you clouds are merely water vapor suspended in the atmosphere. He will tell you that, and then look away in embarrassment, knowing he has told you nothing. He wishes to God he knew something about clouds, but he’s too busy tickling white rats with electrodes to find out anything.

The ancient Chinese believed that clouds were the breath of a sleeping dragon. Storm clouds resulted when the dragon had been smoking in bed, while chain lightning, typhoons and tornadoes meant that he had been awakened before he could get a full eight hours. Today, of course, these childish explanations have been discarded, and the modern Chinese are well aware that clouds are the product of wrong-thinking reactionaries conspiring to form a fascist hegemony with the imperialist war-mongering dogs of the West.

Next to Wilhelm Reich’s cloud theories, these Chinese ideas look pretty serious. Reich did most of his damage in his chosen field of psychiatry, but in his spare time he did more to cloud the cloud issue than any other man in history. He was convinced that clouds are not always clouds — that sometimes they are accumulations of deadly orgone energy sent by the saucer men to destroy us. What is orgone energy? When asked, Reich would only chuckle cryptically, “You wouldn’t want to sprinkle any on your breakfast cereal.” According to him it saps our strength and makes us talk and act like Don Knotts, and sometimes even buy bumper stickers that say “Fishermen Do It After Tying Up Their Loved Ones With High-Test Fish Line.”

Reich had an eye for spotting orgone clouds, though glasses later corrected it so he would see only a banana cream pie hovering safely out of reach. When he spied one (a cloud, not a pie) he’d attack it with a device of his own making called a cloud-buster, which looked like a menage a trois between a heating pipe, a Slinky toy and one of those tinfoil tuxedoes Liberace used to wear. Invariably, when fired upon, the cloud would always disperse or drift away, and the final score was always Humanity: 1, Saucer Men: 0.

If only all visionaries were as harmless.

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Proper Gardening Tips

By: J. Pinkerton

Gardening is for some a way of life, and for others a nice hobby to keep them occupied. Decide early which category you fall into, and the amount of your children’s college money you will be willing to part with to feed your new obsession.

Try planting bright, eye-catching gardenias next to your front step as a way of perking yourself up as you leave for work. If manic-depressive, follow this up with a cocktail of mood suppressants and downers with a chaser of whiskey in the car.

Exposure to the sun can be an essential factor in the health of your garden. Manipulate the rotation of the Earth for a plump, healthy tomato harvest.

You’re only spraying nutrient-rich growth promoter on one side of your cucumber leaves, not both? Why don’t you just back up over your garden with a monster truck, moron?

Never add fresh manure directly into an already established garden unless it is worked in at least four weeks before planting. To do otherwise is the cardinal sin of gardeners, broken only once by history’s greatest monster: Adolf Hitler’s gardener.

Fence off your garden so that “little feet” can’t tromp through your planting areas while playing. If this proves ineffectual, amputate the legs of your children at the knees, using children’s Tylenol as a mild sedative. They’ll thank you when they see a supper plate full of nutritious, garden-fresh green beans!

Composting is a useful tool for any garden, as it adds nutrients into the soil. For the most impressive garden possible, avoid salty, nutrient-poor foods when defecating randomly through your garden.

To get started in building your own hydroponic garden, be sure to plant a row of cabbage and carrots near the entrance of your greenhouse. This will serve as a handy smokescreen to hide the titanic amounts of pot you will no doubt be planting.

Avoid placing your garden atop steep slopes, or water won’t have time to seep in before running off. Locations to avoid: the tops of hilly patches on your back lawn; near any recent yard renovations; at the summit of Mount Everest; on top of the Washington Monument; in deep space.

Mix a handful of wood ash with a handful of hydrated lime and two fingers of vodka, then just kick back and relax. You’ve worked hard on your garden, you deserve it.

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The Ballad Of Bigfoot (Hidden In Rudyard Kipling’s Desk By Samuel Taylor Coleridge)

By: Kurt Luchs

The name’s Dan O’Brien and I won’t be lyin’

If I say I’ve seen a thing or two.

I’ve sailed more than most from coast to coast,

From the China Sea to Timbuktu.

I’ve braved many a gale on back of a whale,

Sent many a fool to Davy’s Locker;

Cut sails from the gizzards o’ giant lizards

And still I ain’t ready for a rocker.

I’ve kissed native girls with coral for curls

And bodies like burnished ivory.

Then after my pleasures I plunder their treasures

With whiskey and wiles and connivery.

I take their gold to have and to hold

And leave ’em to sob in their huts.

I’ve nothin’ to do with ’em when I’m through with ’em —

The Devil take the heathen sluts!

But in all the years passed before the mast

I never yet knew a creature

As could make me squeal or turn on my heel

And holler for a preacher,

Unless you’re exceptin’ that beast of deception

With a smell like pickled pig’s foot,

That hairy mound who howled like a hound

The fearful name o’ — Bigfoot!

My leaking bark was the Crippled Shark,

My crew was two score and ten;

Recruited from middens and debtors’ prisons

To a man they were desperate men.

We hoisted our ales and lowered the sails

And pointed her into the sun,

Then to celebrate this affair of state

Fired the cook from the forward gun.

The sea was clear as a maiden’s mirror,

The sky was blue as a vein;

We were three days south when the weather gave out

And began the cursed rain.

It hailed cats and dogs and poisonous frogs

Till we thought we were Noah’s Ark.

Then the mainmast split when the lightning spit

And crippled the Crippled Shark.


We were tossed and torn around the Horn,

All the while the deck was burning,

But I swore allegiance to the regions

From which there’s no returning.

When the hurricane ceased and gave us peace

We all of us made crosses,

Then dropped a rope near the Cape o’ No Hope

To ascertain our losses:

One bosun burned, or so I learned

When I breathed in half his ashes;

The first mate hid ‘neath a lifeboat lid

Till I gave him forty lashes.

The cabin boy had been thrown like a toy

Behind the fo’c’s’le ladder

And there he stayed while the thunder played

And he lost control of his bladder.

“Press on!” says I. “We’ll do or we’ll die,

And woe to them that disobey.

The first to utter a cowardly mutter

Will be the first to lose his toupee!”

Though my crew of fifty were yellow and shifty

And wouldn’t stand my scrutiny,

I settled their hash with musket and lash

Till they planned a murderous mutiny.

They brought me a broth of boiled sloth

To make me sleep like a gypsy;

Then the second mate took a silver plate

And bashed me until I was tipsy.

They set me adrift in a scurvy skiff

With my noggin nailed to the floor

And said, “Roses are red, but dead is dead

And we’ll never see you no more.”

The tropical air baked me medium rare,

To the four winds I was a slave;

And while I was waitin’ I prayed to Satan

To take my crew to the grave.

For days without number I had no slumber

Nor food, nor drink to tide me by,

And should things get dull a passing gull

Would make a pass at my one good eye.

By luck at last my bones were cast

Upon a sharp and slimy beach

Where on the sand a moth-eaten band

Of monkeys gabbled, each to each.

Monstrous they were with matted fur,

Faces smiling like open sores;

Such was their stench that it gave me a wrench:

“Touch me not or you’re damned!” I roars.

But worst of all, though their heads were small

And fit like nuts for cracking,

Their feet were the size of Victoria’s thighs —

No use to try attacking.

Odoriferous, Lord! And vociferous

They stammered and stank all about me,

Then tried to unmind me by pointing behind me

When one of ’em made to clout me.

‘Twas my belief that she was their chief

(If such could be anointed);

Each toe was big as a suckling pig

And her tiny skull was pointed.

In midair she stopped, to her knees she dropped

And kissed my offended fingers.

I’ve since washed and washed at a fatal cost

Yet still the smell of her lingers.

“In short,” she queried, “would you be married?

And if you’re not, are you looking?

Unless you’re my beau, your carcass we’ll throw

Into that pot a-cooking.”

She showed me a stew where my traitorous crew

Were turned into appetizers.

My men, once vicious, were now delicious

And none of them the wiser.

“In every port,” I says in retort,

“I’ve got a gal I call my wife

And more’s the pity ’cause they’re all pretty

With looks not like to shorten my life.

“In any event your lovely scent

Leaves something to be desired.

I’d sooner be buried than getting married

To an animal that’s expired!”

At this she rears and covers her ears

And screams to have me skewered.

Though few the men within her ken

She seems to want one fewer.

But I offers my knee completely free

To her dainty knob of a nose;

Then as if by chance I dances a dance

On all twelve of her swollen toes.

And before the twits could gather their wits

I parted ’em like the ocean

And rendered ‘em gutless with dagger and cutlass

To prove my undying devotion.

Without looking back I beat a track

To the brink of the Devil’s waters

And diving headfirst I swore a curse

On Darwin and all his daughters.

It was sink or swim and by God’s whim

I sunk straight down to the bottom

Where my bones were sweet with delicate meat

For all the sharks that got ’em.

When next I awoke I was coughing up smoke

And tied to a bed o’ fire;

The name’s Dan O’Brien and now I’m lyin’

Where everyone’s a liar.

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